Musicology of Record Production

Musicology of Record Production

Zagorski-Thomas, Simon

Cambridge University Press

02/2017

278

Mole

Inglês

9781107428348

490

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1. Introduction; 2. Why study record production?; 3. How should we study record production?; Theoretical interlude 1; 4. Sonic cartoons; 5. Staging; Theoretical interlude 2; 6. The development of audio technology; 7. Using technology; Theoretical interlude 3; 8. Training, communication and practice; 9. Performance in the studio; Theoretical interlude 4; 10. Aesthetics and consumer influence; 11. The business of record production; Afterword.
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