Cambridge Companion to West Side Story
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Cambridge Companion to West Side Story
Laird, Paul R.; Wells, Elizabeth A.
Cambridge University Press
08/2024
320
Dura
9781108489959
Pré-lançamento - envio 15 a 20 dias após a sua edição
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List of figures; List of contributors; Introduction; Acknowledgments; Part I. Before 'West Side Story': 1. Performing social relevance in the American Musical before 'West Side Story' William A. Everett; 2. Bernstein on Broadway Helen Smith; 3. In anticipation of 'West Side Story': the confluence of styles, genres, and influences in the early choreography of Jerome Robbins Phoebe Rumsey; 4. Arthur Laurents before 'West Side Story' John M. Clum; 5. Sondheim the kid Steve Swayne; 6. For a small fee in America: producing 'West Side Story' Laura MacDonald; Part II. The Work Itself and Its Context: 7. The score: creation, orchestration, unification, and analysis Paul R. Laird; 8. Un-Gendering 'Somewhere': women's agency and redemption in 'West Side Story' Katherine Baber; 9. Shakespeare in the city: adapting 'Romeo and Juliet' Jane Barnette; 10. 'West Side Story' and the Hispanic problem Ernesto Acevedo-Munoz; 11. 'West Side Story' and the intersections of class, colourism, and racism Erica K. Argyropoulos; 12. The real gang history of New York Elizabeth A. Wells; Part III. The Legacy: 13. 'West Side Story' and the voice Sylvia Stoner-Hawkins; 14. 'West Side Story'/suite: Jerome Robbins's Choreo-Directing on Broadway, Hollywood, and ballet stages Dustyn Martincich; 15. Exoticism, race, and the Broadway musical in the 'City of Waltzes': Marcel Prawy's 1968 'West Side Story' production at the Vienna Volksoper Martin Nedbal; 16. 'West Side Story' abroad as an American icon Emily Abrams Ansari, Anne Searcy, Paul R. Laird, Gonzalo Fernandez Monte, Elizabeth Wells, and Aino Kukkonen; Bibliography; Index.
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List of figures; List of contributors; Introduction; Acknowledgments; Part I. Before 'West Side Story': 1. Performing social relevance in the American Musical before 'West Side Story' William A. Everett; 2. Bernstein on Broadway Helen Smith; 3. In anticipation of 'West Side Story': the confluence of styles, genres, and influences in the early choreography of Jerome Robbins Phoebe Rumsey; 4. Arthur Laurents before 'West Side Story' John M. Clum; 5. Sondheim the kid Steve Swayne; 6. For a small fee in America: producing 'West Side Story' Laura MacDonald; Part II. The Work Itself and Its Context: 7. The score: creation, orchestration, unification, and analysis Paul R. Laird; 8. Un-Gendering 'Somewhere': women's agency and redemption in 'West Side Story' Katherine Baber; 9. Shakespeare in the city: adapting 'Romeo and Juliet' Jane Barnette; 10. 'West Side Story' and the Hispanic problem Ernesto Acevedo-Munoz; 11. 'West Side Story' and the intersections of class, colourism, and racism Erica K. Argyropoulos; 12. The real gang history of New York Elizabeth A. Wells; Part III. The Legacy: 13. 'West Side Story' and the voice Sylvia Stoner-Hawkins; 14. 'West Side Story'/suite: Jerome Robbins's Choreo-Directing on Broadway, Hollywood, and ballet stages Dustyn Martincich; 15. Exoticism, race, and the Broadway musical in the 'City of Waltzes': Marcel Prawy's 1968 'West Side Story' production at the Vienna Volksoper Martin Nedbal; 16. 'West Side Story' abroad as an American icon Emily Abrams Ansari, Anne Searcy, Paul R. Laird, Gonzalo Fernandez Monte, Elizabeth Wells, and Aino Kukkonen; Bibliography; Index.
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