Soviet Critical Design
portes grátis
Soviet Critical Design
Senezh Studio and the Communist Surround
Cubbin, Tom
Bloomsbury Publishing PLC
12/2018
248
Dura
Inglês
9781350021990
15 a 20 dias
502
Descrição não disponível.
Introduction: The Communist Surround
Socialist Objects as Critical Design
The Communist Surround
The Language of Soviet Design
Late Socialism
Conclusion
Chapter 1: Art, Technology and Design in the Soviet Thaw
Technical Aesthetics as a 'Science of Design'
Theories of Design in Art and Aesthetics
Problems of Design
Foreign Influences
From Chaos to Harmony
The Production Art of the Future
Objects of the Future
Conclusion
Chapter 2: Senezh Studio and the Emergence of a Critical Practice
The Artist in Design
Seminar for Design and Industrial Art - Programme of Work
Summary of Courses in Colour and Composition, 1969
Industrial Policy and Labour
Open Form
Sites of Experimentation: Socialist Spaces of the Future
Methodological Philosophy and the Reassessment of Artistic Projecteering
The Domestic Information Machine
Conclusion
Chapter 3: Semiotics, Environment, and the Historical Turn
Abandoning Industrial Design
Redefining Visual Agitation
Conservation of Architectural Heritage
Retrospectivism, Memory and History
Theatricalization
Conclusion: Opening the Semiotic Cage
Chapter 4: Design and the Projective Imagination
Environment and the 'Museification' Debate
'Projectivism' and Design
Icons of a Higher Reality
Underground Culture
Maiakovskii Square as a Theatre of Post-Authoritarian Urbanity
Conclusion
Chapter 5: A Quiet Conversation Among Things: Memory, Agency and Materiality at the End of History
Background: Cultural Ecology and Projecteering in Pushchino
The Abandoned House
Perestroika and Time
Photographs
Tables
Icons
Conclusion
Conclusion
End Matter
Appendix I - Complete List of Senezh Projects
Appendix II - Key People
Index
Socialist Objects as Critical Design
The Communist Surround
The Language of Soviet Design
Late Socialism
Conclusion
Chapter 1: Art, Technology and Design in the Soviet Thaw
Technical Aesthetics as a 'Science of Design'
Theories of Design in Art and Aesthetics
Problems of Design
Foreign Influences
From Chaos to Harmony
The Production Art of the Future
Objects of the Future
Conclusion
Chapter 2: Senezh Studio and the Emergence of a Critical Practice
The Artist in Design
Seminar for Design and Industrial Art - Programme of Work
Summary of Courses in Colour and Composition, 1969
Industrial Policy and Labour
Open Form
Sites of Experimentation: Socialist Spaces of the Future
Methodological Philosophy and the Reassessment of Artistic Projecteering
The Domestic Information Machine
Conclusion
Chapter 3: Semiotics, Environment, and the Historical Turn
Abandoning Industrial Design
Redefining Visual Agitation
Conservation of Architectural Heritage
Retrospectivism, Memory and History
Theatricalization
Conclusion: Opening the Semiotic Cage
Chapter 4: Design and the Projective Imagination
Environment and the 'Museification' Debate
'Projectivism' and Design
Icons of a Higher Reality
Underground Culture
Maiakovskii Square as a Theatre of Post-Authoritarian Urbanity
Conclusion
Chapter 5: A Quiet Conversation Among Things: Memory, Agency and Materiality at the End of History
Background: Cultural Ecology and Projecteering in Pushchino
The Abandoned House
Perestroika and Time
Photographs
Tables
Icons
Conclusion
Conclusion
End Matter
Appendix I - Complete List of Senezh Projects
Appendix II - Key People
Index
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Soviet design; USSR; Senezh; graphic design; postwar; cultural history; culture; art; objects; Russia; experimental design; artistic projecteering; creative; ideology; Cultural Histories of Design
Introduction: The Communist Surround
Socialist Objects as Critical Design
The Communist Surround
The Language of Soviet Design
Late Socialism
Conclusion
Chapter 1: Art, Technology and Design in the Soviet Thaw
Technical Aesthetics as a 'Science of Design'
Theories of Design in Art and Aesthetics
Problems of Design
Foreign Influences
From Chaos to Harmony
The Production Art of the Future
Objects of the Future
Conclusion
Chapter 2: Senezh Studio and the Emergence of a Critical Practice
The Artist in Design
Seminar for Design and Industrial Art - Programme of Work
Summary of Courses in Colour and Composition, 1969
Industrial Policy and Labour
Open Form
Sites of Experimentation: Socialist Spaces of the Future
Methodological Philosophy and the Reassessment of Artistic Projecteering
The Domestic Information Machine
Conclusion
Chapter 3: Semiotics, Environment, and the Historical Turn
Abandoning Industrial Design
Redefining Visual Agitation
Conservation of Architectural Heritage
Retrospectivism, Memory and History
Theatricalization
Conclusion: Opening the Semiotic Cage
Chapter 4: Design and the Projective Imagination
Environment and the 'Museification' Debate
'Projectivism' and Design
Icons of a Higher Reality
Underground Culture
Maiakovskii Square as a Theatre of Post-Authoritarian Urbanity
Conclusion
Chapter 5: A Quiet Conversation Among Things: Memory, Agency and Materiality at the End of History
Background: Cultural Ecology and Projecteering in Pushchino
The Abandoned House
Perestroika and Time
Photographs
Tables
Icons
Conclusion
Conclusion
End Matter
Appendix I - Complete List of Senezh Projects
Appendix II - Key People
Index
Socialist Objects as Critical Design
The Communist Surround
The Language of Soviet Design
Late Socialism
Conclusion
Chapter 1: Art, Technology and Design in the Soviet Thaw
Technical Aesthetics as a 'Science of Design'
Theories of Design in Art and Aesthetics
Problems of Design
Foreign Influences
From Chaos to Harmony
The Production Art of the Future
Objects of the Future
Conclusion
Chapter 2: Senezh Studio and the Emergence of a Critical Practice
The Artist in Design
Seminar for Design and Industrial Art - Programme of Work
Summary of Courses in Colour and Composition, 1969
Industrial Policy and Labour
Open Form
Sites of Experimentation: Socialist Spaces of the Future
Methodological Philosophy and the Reassessment of Artistic Projecteering
The Domestic Information Machine
Conclusion
Chapter 3: Semiotics, Environment, and the Historical Turn
Abandoning Industrial Design
Redefining Visual Agitation
Conservation of Architectural Heritage
Retrospectivism, Memory and History
Theatricalization
Conclusion: Opening the Semiotic Cage
Chapter 4: Design and the Projective Imagination
Environment and the 'Museification' Debate
'Projectivism' and Design
Icons of a Higher Reality
Underground Culture
Maiakovskii Square as a Theatre of Post-Authoritarian Urbanity
Conclusion
Chapter 5: A Quiet Conversation Among Things: Memory, Agency and Materiality at the End of History
Background: Cultural Ecology and Projecteering in Pushchino
The Abandoned House
Perestroika and Time
Photographs
Tables
Icons
Conclusion
Conclusion
End Matter
Appendix I - Complete List of Senezh Projects
Appendix II - Key People
Index
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