Mozart in Context
Mozart in Context
Cambridge University Press
12/2018
350
Dura
Inglês
9781107181052
15 a 20 dias
Descrição não disponível.
Part I. Personality, Work, Worldview: 1. Personal relationships Simon P. Keefe; 2. Learning and teaching Adeline Mueller; 3. Compositional methods Ulrich Leisinger; 4. Religious views David Wyn Jones; 5. Aesthetic views Edmund J. Goehring; 6. Mozart and contemporary composers Bertil van Boer; 7. Mozart and freemasonry Jessica Waldoff; 8. Mozart iconography Christoph Grosspietsch; Part II. Towns, Cities, Countries: 9. Salzburg Viktor Toepelmann; 10. Vienna David Wyn Jones; 11. Germany Paul Corneilson; 12. Italy Sergio Durante; 13. France Jean-Paul Montagnier; 14. Prague Kathryn L. Libin; 15. London Hannah M. Templeton; Part III. Career Contexts and Environments: 16. Patronage Paul Corneilson; 17. Mozart as impresario Martin Harlow; 18. Publishing Rupert Ridgewell; 19. Theatrical life in Mozart's Vienna Lisa de Alwis; 20. Mozart and finances Jessica Waldoff; Part IV. Performers and Performance: 21. Instrumentalists in Salzburg and abroad Ulrich Leisinger; 22. Instruments and instrumentalists in Vienna Martin Harlow; 23. The opera singers in Vienna Dorothea Link; 24. Mozart's Italian and German singers Paul Corneilson; 25. Mozart the performer-composer Simon P. Keefe; 26. Instrumental performance practice John Irving; 27. Vocal performance practice Sarah Potter; Part V. Reception and Legacy: 28. Reactions to Mozart in his lifetime Ian Woodfield; 29. Biographical and critical traditions Simon P. Keefe; 30. Mozart in theory and analysis Stephen Rumph; 31. The Koechel catalogue Ulrich Leisinger; 32. Mozart's influence on nineteenth-century composers Edward Klorman; 33. Mythmaking Adeline Mueller; 34. Editing Mozart Rupert Ridgewell; 35. Mozart on record John Irving; Further reading; Index of Mozart's works by Koechel number; Index of Mozart's works by genre; General index.
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Part I. Personality, Work, Worldview: 1. Personal relationships Simon P. Keefe; 2. Learning and teaching Adeline Mueller; 3. Compositional methods Ulrich Leisinger; 4. Religious views David Wyn Jones; 5. Aesthetic views Edmund J. Goehring; 6. Mozart and contemporary composers Bertil van Boer; 7. Mozart and freemasonry Jessica Waldoff; 8. Mozart iconography Christoph Grosspietsch; Part II. Towns, Cities, Countries: 9. Salzburg Viktor Toepelmann; 10. Vienna David Wyn Jones; 11. Germany Paul Corneilson; 12. Italy Sergio Durante; 13. France Jean-Paul Montagnier; 14. Prague Kathryn L. Libin; 15. London Hannah M. Templeton; Part III. Career Contexts and Environments: 16. Patronage Paul Corneilson; 17. Mozart as impresario Martin Harlow; 18. Publishing Rupert Ridgewell; 19. Theatrical life in Mozart's Vienna Lisa de Alwis; 20. Mozart and finances Jessica Waldoff; Part IV. Performers and Performance: 21. Instrumentalists in Salzburg and abroad Ulrich Leisinger; 22. Instruments and instrumentalists in Vienna Martin Harlow; 23. The opera singers in Vienna Dorothea Link; 24. Mozart's Italian and German singers Paul Corneilson; 25. Mozart the performer-composer Simon P. Keefe; 26. Instrumental performance practice John Irving; 27. Vocal performance practice Sarah Potter; Part V. Reception and Legacy: 28. Reactions to Mozart in his lifetime Ian Woodfield; 29. Biographical and critical traditions Simon P. Keefe; 30. Mozart in theory and analysis Stephen Rumph; 31. The Koechel catalogue Ulrich Leisinger; 32. Mozart's influence on nineteenth-century composers Edward Klorman; 33. Mythmaking Adeline Mueller; 34. Editing Mozart Rupert Ridgewell; 35. Mozart on record John Irving; Further reading; Index of Mozart's works by Koechel number; Index of Mozart's works by genre; General index.
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.