Harmony in Chopin

Preface; Part I. Methodological Orientation: The Mazurkas: 1. The architecture of a tonic pillar: twenty-seven regular tonic pillars from the mazurkas; 2. Between the tonic pillars: tonal trajectories in twenty-seven mazurkas; 3. Irregular pillars in the mazurkas: alternatives to the perfect authentic cadence; Part II. Masterpieces: 4. Etude in C Minor, op. 10, no. 12, in response to Graham H. Phipps; 5. Nocturne in C# Minor (op. 27, no. 1), in response to Felix Salzer; 6. Preludes in E Major and E Minor (op. 28, nos. 9 and 4), in response to Fred Lerdahl; 7. Prelude in G Minor (op. 28, no. 22), in response to Alison Hood; 8. Prelude in C# Minor (op. 45), in response to Jean-Jacques Eigeldinger and to Charles J. Smith; 9. Ballade in F Minor (op. 52), in response to Edward Laufer; 10. Barcarolle in F# Major (op. 60), in response to John Rink.

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• Música clássica (desde ~1750 até ~1830)
• Compositores e músicos individuais, bandas e grupos específicos
• Instrumentos de teclado