Creativity in the Bronze Age
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portes grátis
Creativity in the Bronze Age
Understanding Innovation in Pottery, Textile, and Metalwork Production
Sofaer, Joanna; Bender Jorgensen, Lise; Sorensen, Marie Louise Stig
Cambridge University Press
01/2018
356
Dura
Inglês
9781108421362
15 a 20 dias
880
Descrição não disponível.
Introduction Marie Louise Stig Sorensen, Joanna Sofaer and Lise Bender Jorgensen; Part I. Raw Materials: Creativity and the Properties of Materials: Introduction Marie Louise Stig Sorensen, Joanna Sofaer and Lise Bender Jorgensen; Fibres for Bronze Age textiles Lise Bender Jorgensen and Antoinette Rast-Eicher; Making metals: from copper to bronze Marie Louise Stig Sorensen and Grahame Appleby; Potter's clay Joanna Sofaer; Creativity and materials: reflections Marie Louise Stig Sorensen, Joanna Sofaer and Lise Bender Jorgensen; Part II. Production Practices: Introduction Lise Bender Jorgensen, Marie Louise Stig Sorensen and Joanna Sofaer; Textile production Lise Bender Jorgensen; The production of metal objects Grahame Appleby and Marie Louise Stig Sorensen; The production of pottery Joanna Sofaer; Case studies; Introduction; 1. Creativity and spindle whorls at the Bronze Age tell of Szazhalombatta-Foeldvar, Hungary Sophie Bergerbrant; 2. Forming metal: the development of moulds Grahame Appleby and Marie Louise Stig Sorensen; 3. Variability in the Chaine Operatoire: the case of Belegis cremation vessels Sarah Coxon; 4. The production of Scandinavian Bronze Age textiles: skill and creativity Solvi Helene Fossoy; 5. Twisting the Bronze Age Lise Bender Jorgensen; Production practices: reflections Lise Bender Jorgensen, Marie Louise Stig Sorensen and Joanna Sofaer; Part III. Effects: Shape, Motifs, Pattern, Colour, and Texture: Introduction Joanna Sofaer, Lise Bender Jorgensen and Marie Louise Stig Sorensen; Case studies; Introduction; 6. Creativity in Bronze Age tailoring: women's blouses from Denmark Helga Roesel-Mautendorfer; 7. The one-edged razor: a vivid medium of creativity and meaning Flemming Kaul; 8. Creativity in middle and late Bronze Age bird-shaped and bird-ornamented ceramic objects in the Carpathian Basin and the lower Danube Region Darko Maricevic and Joanna Sofaer; 9. To decorate a Nordic Bronze Age razor: a design challenge Marie Louise Stig Sorensen and Grahame Appleby; 10. Creativity as sensual cosmology: bird iconography on metalwork in Late Bronze and Early Iron Age Europe Sebastian Becker; 11. Pots and stories: creativity and design in the Bronze Age of the Pannonian Plain Joanna Sofaer; 12. Left-right logic: an innovation of the Nordic Bronze Age Flemming Kaul; 13. Textiles: pattern, structure, texture, and decoration Karina Groemer; 14. Pattern, colour, and texture in encrusted ceramics in the Carpathian Basin Joanna Sofaer and Sanjin Mihelic; 15. Creating effects in Litzenkeramik Karina Groemer, Sanjin Mihelic, Sarah Coxon and Joanna Sofaer; Creativity and effects: reflections Joanna Sofaer, Lise Bender Jorgensen and Marie Louise Stig Sorensen; Conclusion Joanna Sofaer, Marie Louise Stig Sorensen and Lise Bender Jorgensen.
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Introduction Marie Louise Stig Sorensen, Joanna Sofaer and Lise Bender Jorgensen; Part I. Raw Materials: Creativity and the Properties of Materials: Introduction Marie Louise Stig Sorensen, Joanna Sofaer and Lise Bender Jorgensen; Fibres for Bronze Age textiles Lise Bender Jorgensen and Antoinette Rast-Eicher; Making metals: from copper to bronze Marie Louise Stig Sorensen and Grahame Appleby; Potter's clay Joanna Sofaer; Creativity and materials: reflections Marie Louise Stig Sorensen, Joanna Sofaer and Lise Bender Jorgensen; Part II. Production Practices: Introduction Lise Bender Jorgensen, Marie Louise Stig Sorensen and Joanna Sofaer; Textile production Lise Bender Jorgensen; The production of metal objects Grahame Appleby and Marie Louise Stig Sorensen; The production of pottery Joanna Sofaer; Case studies; Introduction; 1. Creativity and spindle whorls at the Bronze Age tell of Szazhalombatta-Foeldvar, Hungary Sophie Bergerbrant; 2. Forming metal: the development of moulds Grahame Appleby and Marie Louise Stig Sorensen; 3. Variability in the Chaine Operatoire: the case of Belegis cremation vessels Sarah Coxon; 4. The production of Scandinavian Bronze Age textiles: skill and creativity Solvi Helene Fossoy; 5. Twisting the Bronze Age Lise Bender Jorgensen; Production practices: reflections Lise Bender Jorgensen, Marie Louise Stig Sorensen and Joanna Sofaer; Part III. Effects: Shape, Motifs, Pattern, Colour, and Texture: Introduction Joanna Sofaer, Lise Bender Jorgensen and Marie Louise Stig Sorensen; Case studies; Introduction; 6. Creativity in Bronze Age tailoring: women's blouses from Denmark Helga Roesel-Mautendorfer; 7. The one-edged razor: a vivid medium of creativity and meaning Flemming Kaul; 8. Creativity in middle and late Bronze Age bird-shaped and bird-ornamented ceramic objects in the Carpathian Basin and the lower Danube Region Darko Maricevic and Joanna Sofaer; 9. To decorate a Nordic Bronze Age razor: a design challenge Marie Louise Stig Sorensen and Grahame Appleby; 10. Creativity as sensual cosmology: bird iconography on metalwork in Late Bronze and Early Iron Age Europe Sebastian Becker; 11. Pots and stories: creativity and design in the Bronze Age of the Pannonian Plain Joanna Sofaer; 12. Left-right logic: an innovation of the Nordic Bronze Age Flemming Kaul; 13. Textiles: pattern, structure, texture, and decoration Karina Groemer; 14. Pattern, colour, and texture in encrusted ceramics in the Carpathian Basin Joanna Sofaer and Sanjin Mihelic; 15. Creating effects in Litzenkeramik Karina Groemer, Sanjin Mihelic, Sarah Coxon and Joanna Sofaer; Creativity and effects: reflections Joanna Sofaer, Lise Bender Jorgensen and Marie Louise Stig Sorensen; Conclusion Joanna Sofaer, Marie Louise Stig Sorensen and Lise Bender Jorgensen.
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