Celebrity, Performance, Reception
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Celebrity, Performance, Reception
British Georgian Theatre as Social Assemblage
Cambridge University Press
04/2018
313
Mole
Inglês
9781108458078
15 a 20 dias
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Introduction: theatre, performance and social assemblage theory; 1. Theatrical assemblages and theatrical markets; 2. Georgian performance and the assemblage model; 3. Theatrical celebrity as social assemblage: from Garrick to Kean; 4. Celebrity networks: Kean and Siddons; 5. A working theatrical assemblage: 1790s representations of naval conflict; 6. Theatrical assemblage populations: the Turkish ambassador's visits to London playhouses, 1794; 7. Historicising the theatrical assemblage: Marie Antoinette and the theatrical queens; 8. The regulatory assemblage: The Roman Actor and the politics of self-censorship; Conclusion; Appendix: actor-network theory.
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Introduction: theatre, performance and social assemblage theory; 1. Theatrical assemblages and theatrical markets; 2. Georgian performance and the assemblage model; 3. Theatrical celebrity as social assemblage: from Garrick to Kean; 4. Celebrity networks: Kean and Siddons; 5. A working theatrical assemblage: 1790s representations of naval conflict; 6. Theatrical assemblage populations: the Turkish ambassador's visits to London playhouses, 1794; 7. Historicising the theatrical assemblage: Marie Antoinette and the theatrical queens; 8. The regulatory assemblage: The Roman Actor and the politics of self-censorship; Conclusion; Appendix: actor-network theory.
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
