Dance and Drama in French Baroque Opera
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Dance and Drama in French Baroque Opera
A History
Harris-Warrick, Rebecca
Cambridge University Press
10/2016
502
Dura
Inglês
9781107137899
15 a 20 dias
1140
Descrição não disponível.
Introduction; Part I. Lully: 1. The dramaturgy of Lully's divertissements; 2. Constructing the divertissement; 3. Dance foundations; 4. Dance practices on stage; 5. Prologues; 6. The lighter side of Lully; Part II. The Rival Muses in the Age of Campra: 7. The muses take the stage; 8. Thalie, muse of comedy; 9. Thalie visits the fairs; 10. The contested comic; 11. Melpomene, muse of tragedy; 12. Melpomene adapts; 13. Terpsichore, muse of the dance; 14. In the traces of Terpsichore; Epilogue; Appendix 1. Works performed at the Academie Royale de Musique, 1695-1732, in which the impact of the comedie italienne can be seen; Appendix 2. A partial list of performances consisting of 'fragments', 1702-32; Appendix 3. The choreographies danced at the Opera contextualized.
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Introduction; Part I. Lully: 1. The dramaturgy of Lully's divertissements; 2. Constructing the divertissement; 3. Dance foundations; 4. Dance practices on stage; 5. Prologues; 6. The lighter side of Lully; Part II. The Rival Muses in the Age of Campra: 7. The muses take the stage; 8. Thalie, muse of comedy; 9. Thalie visits the fairs; 10. The contested comic; 11. Melpomene, muse of tragedy; 12. Melpomene adapts; 13. Terpsichore, muse of the dance; 14. In the traces of Terpsichore; Epilogue; Appendix 1. Works performed at the Academie Royale de Musique, 1695-1732, in which the impact of the comedie italienne can be seen; Appendix 2. A partial list of performances consisting of 'fragments', 1702-32; Appendix 3. The choreographies danced at the Opera contextualized.
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
