Cambridge Companion to Gershwin
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portes grátis
Cambridge Companion to Gershwin
Celenza, Anna Harwell
Cambridge University Press
08/2019
332
Mole
Inglês
9781108437646
15 a 20 dias
670
Descrição não disponível.
Part I. Historical Context: 1. The unlikely patriarch Michael Owen; 2. Hearing Gershwin's New York Ellen Noonan; 3. Gershwin's musical education Susan Neimoyer; 4. Gershwin in Hollywood Jessica Getman; Part II. Profiles of the Music: 5. Blue Monday and New York theatrical aesthetics Kristen M. Turner; 6. Broadway in blue: Gershwin's musical theatre scores and songs Todd Decker; 7. The works for piano and orchestra Timothy Freeze; 8. Harmonizing music and money: Gershwin's economic strategies from 'Swanee' to An American in Paris Mark Clague; 9. Exploring new worlds: An American in Paris, Cuban Overture and Porgy and Bess Anna Harwell Celenza; 10. Complexities in Gershwin's Porgy and Bess: historical and performing contexts Naomi Andre; 11. Writing for the big screen: Shall We Dance and A Damsel in Distress Nathan Platte; Part III. Influence and Reception: 12. The coverage of Gershwin in music history text Howard Pollack; 13. When Ella Fitzgerald sang Gershwin: a chapter from the Great American Songbook Will Friedwald; 14. The afterlife of Rhapsody in Blue Ryan Raul Banagale; 15. Broadway's 'new' Gershwin musicals: romance, jazz, and the ghost of Fred Astaire Todd Decker; 16. Gershwin and instrumental jazz Nate Sloan; Epilogue: the Gershwin I knew, and the Gershwin I know Michael Feinstein.
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Part I. Historical Context: 1. The unlikely patriarch Michael Owen; 2. Hearing Gershwin's New York Ellen Noonan; 3. Gershwin's musical education Susan Neimoyer; 4. Gershwin in Hollywood Jessica Getman; Part II. Profiles of the Music: 5. Blue Monday and New York theatrical aesthetics Kristen M. Turner; 6. Broadway in blue: Gershwin's musical theatre scores and songs Todd Decker; 7. The works for piano and orchestra Timothy Freeze; 8. Harmonizing music and money: Gershwin's economic strategies from 'Swanee' to An American in Paris Mark Clague; 9. Exploring new worlds: An American in Paris, Cuban Overture and Porgy and Bess Anna Harwell Celenza; 10. Complexities in Gershwin's Porgy and Bess: historical and performing contexts Naomi Andre; 11. Writing for the big screen: Shall We Dance and A Damsel in Distress Nathan Platte; Part III. Influence and Reception: 12. The coverage of Gershwin in music history text Howard Pollack; 13. When Ella Fitzgerald sang Gershwin: a chapter from the Great American Songbook Will Friedwald; 14. The afterlife of Rhapsody in Blue Ryan Raul Banagale; 15. Broadway's 'new' Gershwin musicals: romance, jazz, and the ghost of Fred Astaire Todd Decker; 16. Gershwin and instrumental jazz Nate Sloan; Epilogue: the Gershwin I knew, and the Gershwin I know Michael Feinstein.
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
