British Literature in Transition, 1920-1940: Futility and Anarchy
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portes grátis
British Literature in Transition, 1920-1940: Futility and Anarchy
;
Cambridge University Press
12/2018
384
Dura
Inglês
9781107145535
15 a 20 dias
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Introduction Charles Ferrall and Dougal McNeill; Part I. After the War: 1. Out of Mrs Colefax's Drawing-Room: poets and poetry between the wars Harry Ricketts; 2. Perverting the postwar: sexuality and state violence in women's literature Layne Parish Craig; 3. Journeys without maps: literature and spiritual experience Lara Vetter; Part II. Literature after Human Nature Changed: 4. Writing the vote: suffrage, gender, and politics Sowon S. Park and Kathryn Laing; 5. Literature and human rights Rachel Potter; 6. Psychoanalysis and modernism John Farrell; Part III. Immense Panoramas of Futility and Anarchy: Writing and Politics: 7. History: the past in transition Gabrielle McIntire; 8. Women's work? Domestic labour and proletarian fiction Charles Ferrall; 9. Ordinary places, intermodern genres: documentary, travel, and literature Kristin Bluemel; 10. Bloomsbury conversations that didn't happen: Indian writing between British modernism and anti-colonialism Snehal Shingavi and Charlotte Nunes; Part IV. The First Break-Up of Britain: 11. Between Holyhead and Kingstown: Anglo-Irish perspectives on the character of British fiction Michael G. Cronin; 12. Cancer of empire: the Glasgow novel between the wars Liam McIlvanney; 13. Lewis Jones and the making of Welsh Identity Shintaro Kono; 14. From Optik to Haptik: Celticism, symbols and stones in the 1930s Peter Mackay; Part V. Transitions High and Low: 15. On the home front: designs for living in British drama between the wars Penny Farfan; 16. Middlemen, middlebrow, broadbrow Nicola Wilson; 17. Detective fiction: resolutions without solutions J. C. Bernthal; 18. British literature in transmission: writing and wireless James Purdon.
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Introduction Charles Ferrall and Dougal McNeill; Part I. After the War: 1. Out of Mrs Colefax's Drawing-Room: poets and poetry between the wars Harry Ricketts; 2. Perverting the postwar: sexuality and state violence in women's literature Layne Parish Craig; 3. Journeys without maps: literature and spiritual experience Lara Vetter; Part II. Literature after Human Nature Changed: 4. Writing the vote: suffrage, gender, and politics Sowon S. Park and Kathryn Laing; 5. Literature and human rights Rachel Potter; 6. Psychoanalysis and modernism John Farrell; Part III. Immense Panoramas of Futility and Anarchy: Writing and Politics: 7. History: the past in transition Gabrielle McIntire; 8. Women's work? Domestic labour and proletarian fiction Charles Ferrall; 9. Ordinary places, intermodern genres: documentary, travel, and literature Kristin Bluemel; 10. Bloomsbury conversations that didn't happen: Indian writing between British modernism and anti-colonialism Snehal Shingavi and Charlotte Nunes; Part IV. The First Break-Up of Britain: 11. Between Holyhead and Kingstown: Anglo-Irish perspectives on the character of British fiction Michael G. Cronin; 12. Cancer of empire: the Glasgow novel between the wars Liam McIlvanney; 13. Lewis Jones and the making of Welsh Identity Shintaro Kono; 14. From Optik to Haptik: Celticism, symbols and stones in the 1930s Peter Mackay; Part V. Transitions High and Low: 15. On the home front: designs for living in British drama between the wars Penny Farfan; 16. Middlemen, middlebrow, broadbrow Nicola Wilson; 17. Detective fiction: resolutions without solutions J. C. Bernthal; 18. British literature in transmission: writing and wireless James Purdon.
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